It’s a Happening Thing
West Berlin Gallery proudly presents NORBERT REISSIG’S first solo show “It’s a Happening Thing” from September 9th to September 24th 2010 at the West Berlin Gallery.
The exhibition will feature unreleased works from the past years and thematically deals with the decade of the 1960s, an epoque marked by social upheaval, misty-eyed romantic and strong contradictions. The artist visually approaches this legendary decade, aiming at interpreting it from a contemporary point of view, asking if there is any countermovement in our society today.
Reissig has developed a distinctive style implementing playful as well as formal graphic elements in his works, showing depth and reflectiveness in his subject matter. When asked how he would describe his work without using the actual term “art” he refers to it as “NonHippiePsychedelia”.
Norbert Reissig – It’s a Happening Thing
West Berlin Gallery proudly presents NORBERT REISSIG’S first solo show “It’s a Happening Thing” from September 9th to September 24th 2010 at the West Berlin Gallery.
The exhibition will feature unreleased works from the past years and thematically deals with the decade of the 1960s, an epoque marked by social upheaval, misty-eyed romantic and strong contradictions. The artist visually approaches this legendary decade, aiming at interpreting it from a contemporary point of view, asking if there is any countermovement in our society today.
Reissig has developed a distinctive style implementing playful as well as formal graphic elements in his works, showing depth and reflectiveness in his subject matter. When asked how he would describe his work without using the actual term “art” he refers to it as “NonHippiePsychedelia”.
You’re warmly invited on Thursday 9th of September from 7pm onwards to the opening of NORBERT REISSIG’S show “It’s a Happening Thing”. The evening will be completed with music and drinks to make it a date.
Young graphic artist Norbert Reissig has lately become a name to remember since laFraise. He grew up in Erfurt, Germany where he has been influenced by his grandfather who was an artist and developed a passion for contemporary art and graphic design from an early age on. Apart from working with installation and sculpture, the artist uses acrylic on canvases. In his first solo show, Reissig shows works which are formally related to Psychedelia and leave the viewer with much room for psychological interpretations.
All works are unique and exclusively on display here in the West Berlin Gallery.
Pics of the opening for ‘SOB – Streets of Berlin’ in cooperation with JAM Berlin
As a nice kick-off for Berlin fashion week, which is taking over the city this week with lots of trade shows, events and runway presentations, we celebrated the opening for ‘SOB – Streets of Berlin’, which was realized in cooperation with international tradeshow for Jeans- and Sportswear Brands JAM Berlin. The crowd (and we too ;)), looking forward to a bustling week, really enjoyed the nice and friendly atmosphere, good music by VKMP3 and especially the open bar – great support again by Beck’s Gold, Bacardi and 42Below!!
So if you happen to be in Berlin for the fashion week, don’t miss to take a look on Marcus Fischer’s silkscreen prints of Berlin’s urban cityscape and the best designs for the JAM Berlin Shuttle Bus contest.







More pics, as always, on our flickr…
A little chat with BSV founders Brad & Jared
In between all the preparing for the Blood Sweat Vector exhibition, after hanging canvases, drilling holes and fixing lights, I had a little talk with BSV founders Jared Nickerson and Brad Mahaffey. Read what they told me about BSV..

Hi guys, let’s get straight to the core: what’s the idea behind BLOOD SWEAT VECTOR?
To create a community where artists could communicate and gain publicity through a combined public medium. The artists at BSV were specifically invited to participate, with adding their news, updates, and other general vector news because of the respect they garner in the international vector community.
As BSV is strictly based on invitation, how do you choose the members?
We selectively invite members based on work history, popularity, and our personal taste.
How many artists are involved at the moment?
We currently have 36 artists participating.
I really like that there are so many diverse styles at BSV, you get a really good impression of how different artistic expression can be exhibited within vector design…
Definitely. We try to select artists with many varying styles so we have a little something for everyone to enjoy. What remains consistent is the quality of the artists and their work, which is reflected by the BSV exhibition.
This is the first exhibition in a gallery that shows your community as a group – what plans do you have for the future? Are there more exhibitions or other collaborations planned?
We definitely hope so! Immediate plans for the future include a possible exhibition in Vancouver, CA. As for collaborations, we have some upcoming vinyl toys and playing cards planned with a few selected BSV artists.

And what are you two doing apart from BSV? Tell us a little bit about your daily business…
Brad: Apart from my BSV activities, with Vanillagreen I specialize in graphic and web design/development work, independently contracted with clients on a case-by-case basis. I also run Zidalgo, a premium wordpress theme outlet.
Jared: I run my own design studio, J3Concepts, based out of Seattle, WA. I’m also the art director for laFraise. I also like long walks on the beach, and vigorous hand-jobs.
You are in Berlin at the moment and will attend the opening of the show – are you excited?
Of course! We are very pleased so far in the preparation and promotion of the exhibition. It will run for a whole month, and should be great exposure for everyone involved, as well as the BSV platform.
Thanks a lot, Jared and Brad, we really appreciate to have you here at West Berlin Gallery!
And you all don’t miss the chance to talk to Brad and Jared in person, meet them tomorrow at the ‘WEST BERLIN GALLERY presents BLOOD SWEAT VECTOR’ opening. See you there :)
‘Martin Krusche vs laFraise: Ugly & Drippy’ Vernissage
Here are some pics of last night. Thanks to everybody who came around and enjoyed the evening


See more pics on our flickr.
Tonight!! Opening of ‘Martin Krusche vs laFraise: Ugly & Drippy’
Come around and enjoy Martin’s original artworks (he even painted our walls and windows) and see what the contestants have done with ‘Ugly & Drippy’. Music, drinks and a nice atmosphere guaranteed!
Ugly & Drippy
We are happy to announce our next exhibition, which will feature Illustrator and Graphic Designer Martin Krusche.
Born 1982 Krusche has his roots in Graffiti and is working now as a freelance Illustrator and Designer. He is co-founder and head designer of Berlin based brand Yackfou, which is dedicated to shirts and other objects as a graphic medium.
Martin Krusche often combines digital and analogue working modes like photoshop and ink, using assumed errors and inconsistencies (like dripps, splatters and so on) in his works as an artistic feature. This very own aesthetic can be found as well in Krusche’s largescale paintings which will be shown in the exhibition.
Featured Artist: Martin Krusche
Tomorrow, October 15th, will see the big opening of the ‘Martin Krusche vs laFraise: ‘Ugly & Drippy’ exhibition, so I sat down with Martin and talked to him about his work, ink and other ugly and drippy things. Meet Martin after the jump…
‘Heads’, acrylic and ink on carton
Hey Martin, how are you doing? Would you like to introduce yourself? What should we know about you?
I’m fine, thanks. My name is Martin Krusche, I’m 27 and I work as an Illustrator. I’m mainly working for my own brand Yackfou, but i also do many free stuff, like paintings, free illustrations and ink sketchings. You can see some examples in the upcoming exhibition.
First tell me, how comes your special interest in ‚Ugly & Drippy’ things?
I like ‚Ugly&Drippy’ because I’m just attracted by raw, unfinished and even unaesthetic things. Our life is very ‚overaesteticised’ and in art/graphics we always try to create very beautiful things as well. This contrast between the Ugly and Imperfect and the Beautiful is always very charming for me and influences the style of my illustrations a lot.
Do you like the way the contestants worked on the ‚Ugly & Drippy’ topic?
Yes, basically I’m very satisfied with their adaption of the topic. But I was really surprised that almost all contestants just worked on the motif of ‚Ugly & Drippy’ and didn’t use it as a technical approach.
And what do you think about combining your works with the contest designs in an exhibition?
I like that very much, super! Actually I really like group exhibitions, and if there’s a topic above all, I’m always all excited! So you can see how different people pick up a topic and work on it. I’m looking forward to the exhibition…

What inspires your works?
I’m inspired by everything. I don’t have any particular examples or heroes or anything like that. Of course I go to see exhibitions, check magazines, books and blogs, but that’s not the only input. Everything I experience all day or leave impressions can affect my work.
Can you describe your workflow? For me it was a really interesting point that your designs rely a lot on analogue handwork with ink and pen.
Yes, that’s right. I like the feeling of producing something by hand. And I like the haptics and optics of analoguely sketched illustrations much more than the relatively cool and mathematic layout of digital works.
But regarding the workflow: I draw a lot, which serves as a foundation for elaborated illustrations. Mostly i take good drafts and enhance them until I judge them as good as in the sketchbook. Then I enlarge them and do a black and white final drawing on the light box. These I will scan and colour the ink sketching digital.
You are often working with the contrast of black-white and colored details. That makes most of your designs highly recognizable.
You are right. The reason for this is the way I work – basically inking the illustration in black and white.
‘Smokerface’
As you are socialised with Graffiti, in which way does it influence your work today?
Hardly intentional, as I’m not thinking: How would this work on a wall or something like that. But indirectly or unconsciously I would say that a certain sense for letters, size, colours and forms is rooted in this graffiti aesthetic somehow.
Why did you decide to focus on designs for clothing? You are running your own clothes brand Yackfou…
It wasn’t a deliberate decision, things just turned out like that.
In the beginning i just wanted to use my abilities for creating a product, which is beyond the duration of a flyer or a website but, like a T-shirt does, shapes a phase in one’s life and your everyday life in a very intense way. But over the course of time me and the fabric became friends, so my focus automatically came to rest upon it!
Thanks a lot for your time, Martin, and we are happy to show your work here at West Berlin Gallery!
Thank you too.
If you are now curious to see more of Martin’s work and the results of the laFraise ‚Ugly & drippy’ contest, join us on the opening tomorrow, starting at 7pm. We will care for nice music and 42Below will serve you with tasty and boozing drinks. If you can’t make it, the exhibition will run until November 06th. In any case check Martin’s blog and laFraise for the shirt designs.

Martin Krusche painting West Berlin Gallery
Martin spent the afternoon painting our gallery walls and even the window. Get a first impression of the upcoming exhibition Martin Krusche vs laFraise: ‘Ugly & Drippy’ and see it in living colour at the opening this Thursday, October 15th, starting at 19:00. Enjoy the designs, a nice chat and some tasty free drinks with us!







You can see more pics of the painting session on our flickr…

