Featured Artist: Alexander Clouchard Barbone
Alexander Clouchard Barbone’s collages may seem to be utter chaos at first sight. Probably the artist himself and his nomadic life-style could led us to this same conclusion. However, there is something beyond glue, that keeps everything he creates together.
Tearing apart magazines, comics and newspapers to create a new whole, has been Barbone’s biggest passion as far as he can remember. Even though he has always been quite weary of galleries, this time he hasn’t seem to mind our walls to show his latest creations.
We interviewed Alexander in order to find out what it is that makes his work so special.
Who is Alexander Clouchard Barbone?
In the winter of 2001 I met a guy in the streets of Rome who told me about his trips to many different places. At some point, I asked him what the italian word for bum was, “Barbone” he answered. Maybe what I asked was the french word for it, I can’t remember now, but I think he gave me the name Barbone. Clouchard came later, It felt like they could fit together.
Where do you live at the moment?
Right now in Barcelona. I came here in september, or beginning of October 2010. I live right next to the Zoo, and even though I hate Zoo’s, I have to say there is some fantastic sounds coming from it.
At what point did you become interested in art?
Before knowing that what I was doing was art, and that some day I would be an artist, I already knew that what I was doing was what I wanted to do. As a child I really hated school, even art classes because being forced to do something you don’t like sucks. I hated it.
Some memories are coming back… I can remember now, even before hearing about artists, I used to cut out pictures of famous hollywood movie stars, they influenced me a lot, and glue them in my folders. I really enjoyed this back then, I loved it. I also used to collect comics, magazines, etc.
I had never seen a collage before the ex ex of my sister once showed me one he made himself. I was amazed, techno party inspired. This is how I started, that it would one day be my profession I couldn’t imagine back then. I am really thank full to him, and I still keep that collage somewhere.
Tell me an artist that has captured your imagination.
Many. Once I went to MOMA in San Francisco and saw artworks of Romare Bearden, he is just amazing. Ruscha Rauschenberg, Warhol. I like Picasso too, and I know that’s exactly what everyone would expect me to say, but It’s true. Giger, Dali, Van Gogh, Michel Angelo and Dada. The whole world is like a collage to me, a big freaky puzzle. Frank Lloyd Wright and many many street artists.
What inspires you to work?
Many things and nothing. I get inspiration from things I find outside garbage cans. I close my eyes and feel like starting a new project.
What type of music do you listen to?
Music is very important to me. I like it all, but I still get a vibe from Electronica. Music is art itself right? without it….wow.
How do you choose the material you are going to use for your collages?
Somehow it gets more and more difficult to find the right pictures when you are getting closer to finishing a project.
What is your favorite comic character?
Batman and Akira. America is influencing the rest of the world like a virus. Superheroes are their answer to all the problems, kinda like religion I guess.
Are you able to earn a living from your art?
I’m used to getting some cash from it, but I’m still not so sure, could I?
Do you have any future projects?
Not right now… I used to, I have to, I need to I think. I hope so, I guess.
Anything you want to say to end this interview?
Everything I say, someone has said before me. You may call them artists or we may have to find a complete different word for what they do.
“I am not an artist” says in a button I found not long ago, and it was me who found it.
West Berlin Gallery is glad to feature some of Alexander Clouchard Barbone‘s works. Come and see them in our online shop!
Featured Artist: SP38
Navy blue, yellow, red and blue are the four colours SP38 uses to create his simple looking messages, which are, as a matter of fact, an amazing example of Urban Poetry.
This french artist’s principal hobby is sticking hand-made placards into the streets of any city he visits, spreading his words as an antidepressive medicine for its inhabitants. It is imposible to walk the streets of Berlin, where he’s lived since 1995, without noticing his “Vive la bourgeoisie” placards or that well known “I don’t wanna be u’re friend on face-book”, which has already become a classic.
SP38 paints his provocative texts, one by one, making each of the pieces unique.
Could you describe some of your early influences and what led you to become an artist?
Andy Warhol & the pop art, T.V, “ la vie Parisienne des années 80″, graffiti , J. Dubuffet and M.Jackson … my laziness and a love story (the end of it).
How would you briefly describe your work to someone who’s never seen it before?
I’ll invite him to have a look on www.sp38.com
What materials do you usually work with? and what’s your favorite technique?
Paper, acrylic & glue. Hand made (but more & more silk screen).
When did you start putting your work into the streets?
In the 90’s in Paris.
How do you decide where to stick your posters?
After a ride on my bike…
What happens to your work after you’ve installed it?
Sometimes it stays, sometimes it disappears (either by time passing by or pulled off for decorating a living room. It gets covered most of the time) sometimes people add some comments to it, drawings… like a book. I like it when some interference happens.

"Enjoy Quality" Silkscreen and Paint on Paper, 2011. Photo by Didier Laget.
Have you had any interesting episodes while putting your work out on the street?
Yes, a lot … In Yaoundé once , someone asked me if I planned on selling rabbits…
Your art has been described as urban poetry. It is definitely message-based, maybe political as well?
I like the urban poetry connotation. I think it’s more of a reflexion, like some kind of spontaneous philosophy.
Being at the same time an activist to a certain extent and being aware of consumerism, have you, or would you feel inner conflict when taking on projects for big companies?
It depends on which companies.
Do you feel that your work loses or gains at all in impact, when it’s brought into a gallery?
“Art must be outside “ reads my last work and it’s painted inside the gallery. Is that answer good enough?
Why do you think street art appeals to art collectors?
Money, nothing but money. The market needs new products and urbanity is in at the moment, “in the wind “.
I am curious to know how you combine being head of a family with your street art activism.
Is it incompatible for you ? I’m the slave of the family.
Have you ever explained what you do to your kid?
Not yet. I have 1 (wonderful) daughter. She likes street art and vernissages. She did her 1st performance in Tel Aviv & her 1st live painting in Paris.
And soon, I’ll need someone helping me carry my glue …
Thank’s for your time.
Thank you too.
Follow the golden rabbit to see more of SP38‘s works in our online shop.
Featured Artist: Prost
Prost is without any doubt the king of amusement among street artists.
Since he’s moved to Berlin, there has been no wall left without his smiling characters, and those witty social commentaries that always put a smile upon our faces. Moreover, the capital’s advertisings got to know street art’s consequences too. No more misleading, abusive, sexist advertising left unpunished in Berlin.
Even though public space is where this artist’s work has the greatest strength and subvertising the activity with the biggest social impact, Prost has been able to adapt perfectly his work to gallery walls. Even indoors, he managed to keep making parodies of corporates by manipulating brand labels and reminding the generally stressed-out public to smile with his “Prostie” faces.
Learn more about Prost while reading the interview below.
Hi Prost, would you like to introduce yourself to our readers?
Hi readers, this is Prost.
At what time have you become interested in art?
I’ve been interested in art since I was 5. I had then my first contact with houses walls and motor oil on my fingers.
Most of Berliners know you because of the huge amount of Smiley characters you distribute all over the city. How did “Prostie” come about?
Well, it all started with a selfpotrait.
Apart from this practice, you have also earned a reputation for Subvertising. What do you enjoy the most about it?
What do I enjoy about it? I enjoy changing their meaning and giving them a different perspective . I mostly enjoy the freedom to refuse. And obviously the most amusing side of it all, is doing it.
Do you keep track of the reactions your street art provokes on the viewers?
I don’t think there is any reaction… maybe TV’s are too loud…

"Zombie" Subvertising.
Have you ever have trouble with the justice?
Who’s not ?
When did you first exhibit indoors? and what led you to do it?
It was sometime in 2000, I just wanted to push myself with organizing an exhibition. No real reason for doing it…….I just do what I like and I like what I do. Still now and will always do.
Your work covers a wide range of techniques with completely different looks. From one-line studio drawings to label collages, amusing smily characters and subvertising. Do you see it as completely different works, or is it all part of the same discourse?
What you see is just some part of me. All of what’s come out (and the things that are still coming out) are the result of my happiness, my courage, my rage, my fantasies or my disappointment. Talking about technique….all great artists are great NOT for their technique, but for their passion.
Do you think your art loses anything by being in a gallery rather than on the street?
No, I dont think so. Sometimes exhibiting in a gallery gives me the possibillity to reach those people to whom my teasing is directed to.
Given that street art initially belonged to countercultural movements, what are your thoughts about these artists who now do commissioned work for major corporations?
They can do what they want. They are grown up, so they should know what they are doing.
Have you or would you accept working for one?
It’s a matter of WHICH one ? are they cool?…like Justin Bieber-cool or are they Chuck Norris-cool..? :D Are they using sweatshops in the name of coolness or are they taking advantage of the hype? maybe they are in the top list of ” Das Neue schwarzbuch markenfirmen” ? What I mean by this, is that I do some research before all goes too far, and then I take the risk.
Do you believe street art should be political?
It doesn’t have to be political, it doesn’t even have to be pretty. It doesn’t have to be funny, It doesn’t have to be big and colorful. It just has to be you, the real you.

"U're Pissing Me" Collage.
If you are now curious to see more of Prost’s work, visit our online shop or visit our exhibition Beyond Good and Evil before it gets too late!
Featured Artist: Linda’s Ex (Roland Brückner)
Most Berliners already know “Linda’s Ex”, the boy who asked his lover to come back to him in plastered posters and stickers throughout the city. Today, we are interviewing Roland Brückner, the illustrator we owe it.
His artistic career started when forced by an accident, Roland broke his leg and had to park his skateboard for a while. As a result of being stuck indoors, he started drawing, and hasn’t stopped ever since. Born in Munich in 1983, he decided to leave southern Germany in 2003 and came to live in Berlin, where he started his Street-Art-Campaign Linda’s Ex. Although this ruined his day-night cycle, it also led him to make an exhibition in the Museum für Kommunikation in Berlin.
Nowadays Roland spends most of his time working as an illustrator, handing out the best of the stories with that personal way of twisting the lines.

"Take my hand" xerox on walls, 2009.
Hi Roland. First of all, could you describe a little bit of your background?
I come from the edge of the Alps in southern Germany. I do hardly have an artistic background, my father is a pharmacist, my mother a french teacher. I did graffiti when I was young.
You didn’t finish your studies, why? what’s your opinion about art school?
There just wasn’t enough time for both work and studies. I do not think you can learn art, all you can learn is to wait a few years. And you get to know nice people.
What inspires you to work?
My everyday life. I look at people and try to understand what they see and mirror it on paper later. That, plus trying to explain what I don’t understand.
I would say your illustrations have a sketchy style, but nonetheless, a very detailed and careful use of the line. What materials do you usually work with?
Wacom or ballpen. Sadly I don’t have enough room for more. I would love to work with acrylics on canvas, but I just can’t at the moment.
You are well known in Berlin for your Street art. Was moving here what led you to put your works into the streets?
Yes. I wanted to go writing, but with a concept. In 2003 the word “streetart” didn’t exist and a bunch of people came up with the idea of hanging posters. I tried to give it a story and play with the audience.

"The no said yes", acrylic and paint on concrete, 2009.
And it certainly worked. I’m sure a lot of people wondered if Linda’s Ex and Roland Brückner wee the same person. What I’m asking is, is there anything autobiographic in your street art character?
No way. I never had my heart broken and always thought it was funny to laugh about people whose biggest problems lay in the past. Seeing a girl cry for the story made me think that maybe it’s not only funny after all.
Now you are more focused onto illustration. Could you describe your current work as an illustrator, and how does this relate, if it does, to your street art experience?
I try to get the first draft to be the final one. And I am used to do rather a lot than one or two perfect pieces. Posters get torn down, magazines get thrown away. What counts for me is the idea behind the illustration and the feeling it leaves in the recipient.
Do you still put up your pieces in public space?
Sadly no. I change diapers at night (Roland has two baby kids).
Since 2007, you have been regularly publishing Mumpelmonster, a children’s book which is free. How did you come up with that idea ?
Same thing as with Linda. The more people see things, the bigger the impact. And I did not want to have a publisher, telling me to do more normal stories.
If you had to choose only one way of showing your art, what would that be? streets, galleries or publications?
Tattoos on people’s foreheads.
Anything that moves your thoughts right now?
I can’t find the right words: A close friend died.
We are sorry for your loss. Thank you for your time.
A few of the latest Linda’s ex’s artworks are available in our online shop.
Featured Artist: Giacomo Spazio
If Giacomo Spazio’s works were sounds, they would be harsh noise at the loudest volume: a gallery of “mean” pop images, with shocking, fluorescent colors that shout out their presence, as loud as possible. The reasons are many, but for him, who comes from experiences in graphics, performance and music, the cut & mix & paste is a practice intrinsic to his way of being. Art as a post-production, which uses pre-existing materials, making them his own and recombining them, affecting their perception and enjoyment.
The iconography in his works is borrowed from fanzines, daily newspapers, punk graphics and album covers of the 1970s and 1980s. The mind immediately races to Andy Warhol’s silkscreens and Pop Art, but it is only a superficial evocation, because Spazio goes well beyond, making his own the practice of incursion, using information and images from the media to propose them with an ironic and desecrating, cynical and subversive intention. By manipulating images, the artist carries out a critique on information, denouncing its presumed truthfulness.
Giacomo was born in 1957 in Italy. Although his artistic career started with performances, in 1975 he started painting and became one of the first street artists in Italy. He now lives in Milan, where he is part of the collective that has created the “Limited No Art Gallery”, an independent art gallery launched in 2006 to promote art, without prejudice.
His new solo show “Pop Life” opens tonight in Milan at the Don Gallery ; Giacomo will also take part into “Beyond Good & Evil” the group show we will present next week.
We asked the artist about his recent creations, to understand that DIY (Do It Yourself) attitude and how the lo-fi style of the photocopy can be elevated to the status of Artwork.

YOU NEED ME, Mixed Media on Canvas, 2010, SOLD
Hi Giacomo. When you were young, have you ever thought that when you’d be 53 years old, you would still do art and open a gallery?
Hi!
I think that when you are young, it is very hard to think that one day you will be an artist. Especially if you come from a working class family like me. Personally, I never asked myself this question. To create “my things” was the only way to avoid working in a factory all my life.
You were already evolving in art in the 70′s and the 80′s. What is the main difference between those times and now?
To tell the truth, the only real difference is the following:
Rich people in the 70′s gave money to create and this was surely a gift from the Freaks/Hippies culture. In the 80′s, the Punk movement gathered very different kind of people, united by the “No Future!” claim. In the opposite, today everything goes faster!
But to create your own culture, you need a lot of time and this is always the same, at every period of time.
Do you miss that, these years?
No! For me the past is the past! When I think about it I smile, because I have been lucky and I’ve become the person I am now. A man. A man who loves everything that surrounds him. A man who likes present!
Today, do you have a model or an idol in art?
Personally I have no model from whom I take my inspiration. But I am very ecstatic of the quantity of really good artists who live in my time… And it is at this exact moment that I become very little and like an ant I try to work hard to get results which talk for me, without copying anyone.
When you work on a piece, how do you feel?
I am always happy, even when I deal with sad themes. If I am sad, I just want to be left alone.
What kind of music do you listen to when you are “working”?
First of all the music must be very loud, almost deafening. I listen to all kind of music from Daft Punk to Polygon Window via Pole and from Tubelord to Heptones via Tikiman. I go crazy for music and almost all of my works have a link with it!
You use a lot of techniques in your creations. Do you have a favorite one? Why?
I prefer serigraphy (silkscreen), because I like the idea of repetition. But every piece is unique. The main subject is the same, but I change the language, the color, and everything that isn’t part of the image in the foreground. But sometimes, even the main subject is different.
You also use a lot of different colors. What do they represent for you?
The only way to be really unique! Colors I use are most of the time my own colors I create! For exampl the base color is made of silicon, white steel, silver and white pearl.
If you were a dictionary, what would be the definition of Art?
No mater how, but express yourself with all the means necessary. (DIY)
Your are an artist but you also opened a gallery in Milan which is called “Limited No Art Gallery” , how do you feel being on the “other side”?
I didn’t open an art gallery but my studio became a place for exhibitions where I try to put in contact creative persons, curious ones and collectors, showing them what I personally think to be unique, interesting and beautiful. Sometimes, I had to be a curator because some people asked me to be a curator. It is a work that I respect a lot and by making it I have learnt that like dishonest curator, it also exists dishonest artists!
From Vogue To Vague (Kate Moss) 2010 – Mixed Media on Canvas.
How do you select the artists who make exhibitions in the Limited No Art Gallery?
Usually, I organize exhibitions of artists I personally know and whose work I admire. Sometimes, I give the exhibition space for free.
Do you have children? Are they artists too?
I have two sons and they are creative like all the young people in the world. By now, they are both interested in music. The first one is 20 years old, he plays bass and sings. The second one is 17 years old and he plays drums.
What kind of job would you have done if you were not an artist?
When I was 13 years old I wanted to be a poet and maybe it is the reason why there are always letters, lyrics and/or small sentences in my works.
Tell me the very last word of this interview!
ANARTCHIST! (I invented this word and it means I’m an anarchy artist to explain exactly what I am)
Thank you very much for this interview Giacomo!
Super!
Featured Artist: Hara Katsiki
Hara Katsiki’s illustrations resemble a dream world where imagination and reality come together. This Berlin-based greek artist gives birth to fairytale like landscapes and odd creatures, using chaotic ink stains, and creating infinite labyrinths of lines.
The self-taught artist has never stopped looking for new ways of expressing herself. After exploring different creative fields, such as fashion and interior design, it was graphic design and technology that helped her succeed.
Learn more about Hara’s inner world while reading the interview below.

" What if " graphite on paper.
Who is Hara Katsiki? could you describe a little bit of your background?
I was born in Athens but grew up in a small beautiful village 200km away. My childhood was full of countless hours of fairytales read by my mother, art and theatre courses for kids, dance classes, tones of colorful toys and day dreaming. At the age of five, we moved back to Athens, where I went to school, studied and worked until 2008. My studies included management, fashion and interior design courses which I practiced for a short time. My eager for more creativity led me to graphic design, so I taught myself and worked for three years as a graphic designer and soon art director for leading advertising agencies gaining several recognitions. For the last two years I’ve been living and working in Berlin in a variety of fields such as illustration, animation, costume design and music.
What led you to become an artist?
My wild imagination, hunger for beauty, freedom and desire to express my inner world .
Has living in Berlin influenced your work?
Berlin has influenced my whole being. There is something about this city… a power to inspire and stimulate. A freedom. No wonder there are so many gifted people around us.
You seem to have a special interest in nature’s forms, what are the themes that motivate you to create?
Nature’s unspoken beauty is so miraculous because it is always changing. It’s an endless source of inspiration and wonder. I’m also inspired by everything that surrounds me and irritates my senses and feelings.
What is the usual process you follow while working?
It always depends on the project and the medium I use to accomplish it. Roughly the process is brainstorming, sketching and then executing. For personal projects, there are no rules. I might wake up in the middle of the night and start drawing what I was dreaming of…
How much of improvisation is on your artwork?
My work is primarily a result of improvisation. Only when one releases himself from rules and borders can create the authentic.
Although most of your works belong to the field of illustration, you also make animations. Is it all part of the same discourse?
In a way yes. Illustration and animation are both visual representations that can intersect . I like the craftness and stillness of illustration. I like to dirty my hands with colors. Animation is a motion drawing trick to give movement and life to your drawings.
You won the Illustrative’s Young Illustrators Award 2010 with your “Opium” animation. How would you evaluate your experience with art contests?
Well, the contests I’ve taken part in so far, like the Young Illustrators Awards, invite artists to submit non-commercial work, so I decided to participate with my latest personal experimental work. It was a great experience and a big surprise for me to be awarded for an uncommissioned project that came directly from my heart without any kind of restriction.
How would you describe your work to someone who has never seen in before?
Through my work, I tell stories, where one can take his own path and have his own trip…
Thanks for your time Hara, we are glad to show your work at West Berlin Gallery.
Some of Hara’s artworks are available in our online shop as well as in on fashion4home.
Featured Artist: Alias
The Berlin-based artist got first introduced to street-art at the turn of the millennium while living in Hamburg. Since 2003 he’s been living in Berlin and has developed a unique street-art approach, becoming an important protagonist of this vivid urban art scene. Alias has constantly improved his stencil technique over the years and has now reached technical and aesthetic maturity thus always keeping a pinch of humor and grim realism in his works. Many of his posters and stickers produced with stencils and spray cans can be found in cities like Berlin, Hamburg, Amsterdam, Rome, Milan and also in Bristol.
Alias has had three solo exhibitions so far in his hometown Hamburg and in Essen and his works were also featured in numerous group-exhibitions in Germany and Italy. We have presented some selected works last week at the Stroke.03 art fair and after this very successful gem we are now curating his first solo show in Berlin, My Belly is Mumbling, from November 4th to December 4th 2010.
The exhibition will feature around 20 new, original and absolutely unique pieces as well as a strictly limited handmade posters edition. In preparation for the show, we had a chance to interview Alias and provide you with more background information.
Hi Alias, tell us a little about yourself, where are you from?
I was born in a small town between Hamburg and Berlin in 1980.
Could you describe your background a bit?
I dropped out of school and for some years I organized parties with a couple of friends. Otherwise, I come from a street background: skateboarding and Graffiti.
What led you to become an artist and how did this develop into putting your work onto the streets?
I had my first contact with street art in Hamburg in 2001. The sticker scene was very active at that time and for me this was something completely new and exciting. But it’s only after moving to Berlin that I became active doing art myself, it’s hard to tell why though…
Is there someone or something that has influenced you in this choice?
Mainly all street artists I have met so far.
How would you briefly describe your work to someone who’s never seen it before?
I work with photos and collages from which I make stencils. With those I spray posters and stickers which I then put up in a public space.
Is there a specific objective or concept behind your work? Are you trying to elicit a particular response from the public?
My motives are often introverted and emotional but at the same time they have a direct and striking impact that brand themselves on the memory of people passing by and they are supposed to inspire people to interpret the motives on their own.
Where do you draw inspiration from?
From my life, from my childhood, relationships, future and past.
Do you consider your work to be socially engaged or political?
Not really, political is more the way how and where I put up my work or my attitude towards the public space. A certain degree of social criticism is definitely incorporated though.
How do you go about choosing your locations and installing your outdoor artworks?
I prefer old walls and dark backgrounds and try to install my posters matching the context with the urban situation.
What happens to your work after you’ve installed it?
Sometimes my works get cleaned up, sometimes a person takes them home and sometimes they stay at their place for many years.
Is there a particular intervention that stands out for you in terms of personal satisfaction with the final result or obstacles which needed to be overcome?
Sure, I want as many people as possible to see my work. But for me it is more important that the work fits in its surroundings and stays there as long as possible. But since many posters come off easily, I am planning to work directly on walls again. This limits my selection of spots though.
Have you already been arrested?
When I was younger I often had trouble with the police. This is also what led me to work with posters now and I only spray occasionally. I choose my walls so that a file of charge is unlikely…but honestly, I don’t care so much anymore.
When people ask what you do, do you just give them an evasive response and change the subject?
That depends very much on the person. I guess none really likes the „What are you doing for a living?“ question. But in the end, we all define ourselves over what we do. Then I always say: „I do something with media.“
What do you think about Berlin, do you like living here?
Definitely I like living here, it is a very creative and lively town. Unfortunately, it is changing its face faster than I thought it would.
Like many artists with a street background, you have a dual output, also displaying your art in gallery exhibitions. Do you prefer seeing your work in a gallery environment or in the streets?
That depends very much on the exhibition, but generally I would say that no exhibition is able to beat that feeling that a night in the streets with some colleagues can give you.
Has working with galleries also required you to make particular compromises?
Not until now, but I wouldn’t be willing to make any compromises anyway.
How do you think your art will be viewed in the future?
That is something I really don’t think about.
A few artworks from Alias are available in our online shop.
Lisa Wassmann, Ghosttown photographies available in our shop
As you might have heard already we are really proud to present Lisa Wassmann‘s very first solo show in Berlin this august. Save the date for the vernissage on August 5th!
We have already produced a first serie of photographs that were shown a couple weeks ago at BRIGHT. Those come from Lisa’s works in Las Vegas earlier this year and have not been published anywhere else so far.
” I came to Vegas thinking of a sparkling, crowded, glorious sinful city, colourful lights. But all I saw were empty streets. I met a philipine priest and an old man in a wheel chair driving in the middle of the highway. I put myself in disguise as to be someone else. I walked around in Sin City in the middle of the desert and then on the last day it snowed. In the desert / me and my holy friend.” Lisa Wassmann
Those pictures are now available exclusively in our online shop. They’ve been printed by bggrr.com on Aluminium Dibond with 3mm Acryl finishing. The result are 40 x 60 cm amazing pictures with really sharp and bright colors. bggrr.com deals with premium digital imaging (Alu Dibond ,UV, Acryl, Forex, Kappa, Fine Art Printing, Photo Art & ltd. Editions) When you are in Berlin, check out their new showroom in Brunnenstr. We are really happy with the premium quality of their prints. Good job!
Here are some previews of the pictures, more details in our online shop.
Also, here’s a cool interview realised by Dazed Digital a few months ago. This tells a bit more about Lisa.
From sleeping in cars to getting tarred and feathered in the desert Lisa Wassmann shows us her beautiful pictures from her entire American roadtrip.
Dazed Digital: What’s your background as a photographer?
Lisa Wassman: I started six years ago taking pictures in clubs around Berlin and creating shots with my friends. I was more into painting before that, but wasn´t really into being alone by myself sitting in front of an artwork for a couple of days.
DD: Are you inspired by any particular films? Art? Literature?
Lisa Wassman: I love old paintings, especially symbolism. I love Michael Ende´s Neverending Story, movie and book. A Million Little Pieces, Karen Duve, Chris Cunningham, Björk, Martin de Thurah, Arnold Böcklin, Princess Mononoke, Blade Runner, Some Like It Hot… But I get most of my inspirations by looking through old stuff from flea markets such as photographs, magazines and paintings.
DD: What about other photographers?
Lisa Wassman: Philip-Lorca diCorcia, Ryan McGinley.
DD: What is your connection to Texas. Was this a roadtrip?
Lisa Wassman: I was born and raised in Berlin, but I grew up in the west part, so I had a chance to watch lots of American movies and read ‘Lucky Luke’. From far away, Texas was always the place with cowboys, horses, ranches, conservative / religious thinking, typical American food, a red desert and a blue sky. I immediately had the idea to tar and feather somebody and shoot this in the desert… don´t ask me why. And yeah it was a roadtrip we rented a car and slept in it the whole time. I think we went everywhere.
DD: What inspired this series?
Lisa Wassman: Of course my very closed friend Caro Paris who joined me, and all the people I met during the trip.
Most picture ideas came up while I was driving. The colours, the lightning everything looked so different…
DD: How long did it take you to create?
Lisa Wassman: We stayed in Texas for three weeks.
DD: There is an interesting mix of constructed images, and others that seem more spare of the moment. Did you construct the whole series?
Lisa Wassman: The only image I certainly wanted to create from the beginning was the tarred and feathered picture I did one day before we had to leave. I am a very constructed artist but not in advance because I am very impatient.
Stay tuned! there’s more coming up soon!

















